The show’s final episode aired in June 1999.ĭeep Space Nine‘s critical cachet has only grown in the twenty years since it went off-air, with it regularly being called the best of all seven Star Trek series to date, for its serialised storyline, its dramatic conflicts and its constant challenging of Star Trek‘s themes and morals without completely destroying them. The show’s final two seasons were focused on the outbreak of all-out war between the Dominion, now allied to the Cardassians, and the Federation, now allied to the Klingons and Romulans. Moore, they began redeveloping the show as a serialised drama, with an ongoing story arc focusing on the growing conflict between the United Federation of Planets and the alien alliance known as the Dominion, with Bajor caught in the middle. When Next Generation alum Ira Steven Behr joined as showrunner and executive producer in Season 3, along with acclaimed Next Generation TV and film writer Ronald D. As the series continued, its critical cachet grew. Please click on the map to visit the full globe.ĭeep Space Nine launched in January 1993 to high ratings and a degree of critical acclaim, although the true plaudits had to wait until later in the first season with episodes like Duet and In the Hands of the Prophets. This was solved when it was decided to move the action to an abandoned Cardassian space station orbiting Bajor, and then to focus on a newly-discovered stable wormhole linking the Bajoran system to the distant Gamma Quadrant of the galaxy. Development continued, although a significant hurdle was thrown up when it was revealed it would be far too expensive to have the show set on the planet’s surface, with location filming presumably in every episode. The idea was well-received and groundwork for the new show was laid almost immediately in the third episode of The Next Generation‘s fifth season, Ensign Ro, which confirmed that the planet would be Bajor, home to a formerly peaceful, spiritual race of humanoids who had been driven into a terrorist campaign to force the Cardassians off their world. This would allow dramatic conflict between Starfleet and the aliens, which would overcome a perceived weakness of The Next Generation where Roddenberry had barred conflict between Starfleet characters. This would allow a different kind of Star Trek show, particularly as it would pit Starfleet personnel against the aliens on the planet who would be suspicious of the new arrivals, wondering if they had exchanged one occupier for another. The show would feature Starfleet personnel helping the planet rebuild. If the two previous Star Trek series had been, in Gene Roddenberry’s words, “ Wagon Train to the stars,” a show about visiting new places each week, Tartikoff suggested the new show should be, “ The Rifleman in space,” where the characters would stay still and have to make their community work.īerman and Piller came back with the idea of setting the show on a starbase on the surface of a planet that had recently been occupied by the Cardassians, an alien race introduced in Season 4 of The Next Generation (in the episode The Wounded) that had proven popular. In the summer of 1991, Next Generation showrunners Rick Berman and Michael Piller met with incoming Paramount head of television Brandon Tartikoff, who directed them to create a spin-off show from The Next Generation.
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